Jul 012014

Watter (rhymes with matter), which is simply water

“I’ll just ‘ave a drink o’watter”.

“Am not gooin’ to that pub, thi watter t’beer”.

Monk on. Somebody can be said to “have the monk on” if they are sulking, acting moody, or feeling sorry for themselves. Possibly arising from the vow of silence taken by some monks?

“She’s got the right monk on wi me”.

Gip. The act of being physically sick, nauseous.

“Just thinkin’ of eatin’ black pudding makes me want to gip”.

 Posted by at 8:53 pm
Jun 292014

Here’s a contribution from my Dad (thanks Dad!) This one is an old Yorkshire saying, words to live by. 🙂

Hear all, see all, say nowt, 
Eyt all, drink all, pay nowt,
And if tha ever does owt fer nowt,
Do it fer thi sen!


Hear everything, see everything, say nothing,
Eat everything, drink everything, pay nothing,
And if you ever do anything for nothing,
Do it for yourself!

Yorkshire folk do have a reputation of being “economical” …

 Posted by at 8:50 pm
Jun 222014

This quick episode of Northern British Sayings covers some Yorkshire dialect.

Coil = Coal.
‘oil = Hole.
Coil ‘oil = Coal Cellar or Coal Mine.
Roo-ad = Road.
Soo-ap = Soap (and possibly also Soup).
Coo-at = Coat. But also, Coit = Coat.
Boo-at = Boat.
Boo-it = Boot.

Any others?


 Posted by at 12:45 pm
May 012014

Robin-Of-The-WoodFurther to my earlier posts on the subject (here and here), I am happy to announce that the Odin/Thor ZX Spectrum games Heartland, Hypaball, Nodes of Yesod, The Plot, Robin of the Wood, Sidewize, Arc of Yesod, I.C.U.P.S and Crosswize are now available exclusively on SPECTACULATOR for iOS, Android and PC.

Many thanks to Alex Tutty @ Sheridans for his efforts to resolve the problematic licensing situation related to these games on a certain other emulator.

 Posted by at 8:34 pm
Apr 202014

Yitten means “cowardly”, or “frightened”.

Example, “Tha’ yitten.” You are a coward/cowardly/afraid/scared.

Often used in an accusatorial manner, “Tha’ not goin’ darn’t pit cos tha’ yitten.” Or, “It occurs to me that the reason you do not want to go down the coal mine is because you are afraid.”

Another example, “Tha dun’t want to fight cock o’ t’class cos tha yitten.” Or, “Might I suggest that the reason you do not want to partake in fisticuffs with the acknowledged best fighter in the class is because you are a scaredy cat.”

 Posted by at 6:57 pm
Mar 152014

In most parts of Yorkshire and other parts of northern England, the slang word “ta” (pronounced “tar”) is used to mean “thank you”.

The word is simply substituted for “thank you” or “thanks”, so for example:

“Here’s that money I owe you.”

“Ta very much.”

From what I can gather from the mighty internetz, this is likely due to the large Scandinavian influence on the English language, particularly in the north. Consider that for thanks/thank you:

Danish:  Tak
Norwegian:  Takk
Swedish: Tack

I believe that in those languages, the “k” sound is soft (more of a “g”), or even dropped. In Danish, the word is pronounced, “targ”, which is very similar to the pronunciation of “ta”.

 Posted by at 12:54 pm
Mar 102014

Here’s another track from THD, my garage band from the early 80’s.

I pulled in the track from the same cassette tape containing the track “Turnaround“, though this one has had more “post production” work. The original version was recorded with Andy Walker on lead vox and guitar, Andy & myself on backing/chorus vox, and the Clef Master Rhythm drum machine (programmed by moi). There’s one overdub on this (backing vox), but we did not yet possess a bass guitar, so the original had no bass.

I brought the original track from the cassette tape into Garage Band and adjusted the tempo to an even 146 BPM. Then, I overlaid a replacement drum track (very simple & repetitive, matching the original, which is lurking in the mix underneath), added a bass line, and a “guitar break” (solo is not quite the right word) to fill in the place we’d originally left for it (but never added).

Very simple song, about one man’s love for his ten ton truck, or something. The vocals here are very tentative, we became a bit more confident in later work, but I think that adds some charm. It’s like a cross between 10cc and a future Offspring. It also has the most amazing fuzzbox effect on the guitar, with full bar chords being played. Don’t recall which distortion pedal was being used, but at the time I had made my own by taking the preamplifier from inside an old cassette player (the one that takes the input from the tape head) and feeding my guitar into that. Oh yes, that distorted alright! Perhaps that was in use here.

[EDIT: the sound quality on this YouTube video is pretty rough. I need to upload a cleaner version.]


 Posted by at 10:07 pm
Mar 092014

This is the drum machine I had in the early 80’s. I bought the kit version, which meant soldering all the components to the circuit board, mounting the switches, etc. There were dozens of diodes (literally), and I must admit I did make the mistake of soldering them all in back to front (got anode mixed with cathode, oops). I managed to desolder all of them and mount them all the correct way. The drum machine worked perfectly. 🙂 This is the drum machine used on the THD recordings, of which one has been featured on this site, possibly others to follow.

Here’s a link to a site I found while, on a whim, searching for “1980’s drum machine”, hoping for my memory to be jogged (could’t remember the name of the device until I saw the photos posted there). Using the Clef Master Rhythm (and some deft, real time sequence switching shenanigans), my musical accomplice, Andy Walker, and I managed to record cover versions of White Man and Tie Your Mother Down by Queen, as well as Rock Bottom by UFO, and others. Amazingly, the drums were not the worst part of those covers. 🙂

I’ve long since parted with the drum machine, given away during a move a long time ago. Of course, today there are much more capable options (such as Garage Band, which is essentially free, assuming you can afford a Mac), but there is a certain charm to the Master Rhythm’s typically analog sounds.

 Posted by at 9:36 pm
Mar 032014

A trio of related words this time.

  • Nowt. “Nothing” (likely derived from naught). Rhymes with “out”. Example:”We’ve got nowt in for dinner.” We 
  • have nothing in for dinner.
  • Owt. “Anything” (likely derived from aught). Pronounced “out”. Example:”I dun’t want owt!” I don’t want anything.
  • Summat. Quite simply, “something”. Used in Yorkshire, an example of this might be, “Tha dun’t get summat for nowt.” You do not get something for nothing. I have read alternative definitions suggesting that summat is a contraction of “somewhat”; however, that was definitely not the common usage in Barnsley or Sheffield.

Update on nowt/owt, a couple of people have pointed out to me that there are one or more other pronunciations of these words. One variation would rhyme with note/oat. Can’t really say I have ever used that variation myself. The other would be using a short ‘o’ sound, such as in the word “on”. I can’t actually think of a “regular” word that has that combination, but take the ‘o’ from ‘on’ and replace the ‘n’ with ‘wt’ and you’ll be close.

 Posted by at 8:00 am
Mar 012014

THD Master Tape

When I was around the age of 18, a friend – Andy Walker – and myself started a garage band called THD (for Total Harmonic Distortion). We never got beyond the garage, nor did we ever expand beyond 2 people, but we did create some music.

At the time, funds were extremely limited, so we made do with what we could scrape together. We were into metal/rock, with some other eclectic elements. I recently came across a TDK ADC90 cassette tape proclaiming itself, “Overdub April ’82 T.H.D. master tape”.

I spent a little time rescuing one of the more reasonable tracks using a cheap USB cassette tape converter. I pulled the track into Audacity, and found that the vocals were on the left channel, everything else on the right. Given this, I took the opportunity to brighten the vocals using some tracking tricks, then remixed the whole thing. “Turnaround” probably falls into the “eclectic” range. 🙂

The original track was recorded using the following gear:

  • Casio VL-Tone keyboard. This was a cheap calculator/keyboard introduced by Casio in the early 80’s. It was monophonic, but I modified it so that the “sequence” mode (you could press a button to step through a recorded sequenc of notes) could be triggered by an external pulse.
  • Tape echo box. Andy picked this up from a music shop in Manchester. It was a standard tape echo box, and we fed the VL-Tone into it. The echo was approximately in sync with the tempo of the sequenced VL-Tone, leading to a polyphonic effect.
  • Drum machine (Clef Master Rhythm). I built this from a kit, and used it to trigger the VL-Tone in sync with the drums.
  • Cheap Les Paul copy guitar (by Kay, I think). This was my first guitar, and I used this for the background chording.
  • Second Les Paul copy guiter (Andy’s). This was detuned an octave, and used for the “bass”.
  • Cheap microphone. Again, Andy had picked this up in Manchester. It wasn’t a very good mic, but better than what we’d used before (which was one of the little plastic mics you used to get with cassette recorders).
  • We used a couple of cassette decks for overdubs. I think we used an Akai and a Toshiba. Lots of generation noise!

In terms of who did what, Andy was on vox and “bass” guitar. I programmed the VL-Tone and drum machine, and played rhythm guitar. It’s a sort of psychedelic little track, very repetitive, and containing lyrics written by angsty 18 year olds. The rendition here is quite noisy due to an evil Panasonic cassette deck I once owned, which would inject noise spikes onto each tape it played.

I haven’t heard from Andy in over 20 years, last known living in Barnsley, South Yorks.

Anyway, here it is, “Turnaround, by THD”:

 Posted by at 5:15 pm